Archive for Uncategorized

How do you cope with comparing yourself to your peers?

In response to the brilliant writer Mollie Goodfellow, who tweeted earlier:

Q: How do you cope with the whole comparing yourself to your peers and the “what if they are better than me and I should just stop trying” thing

A: Given the conversations I have had with many fellow artists I have had over the years, I think that it is totally normal and natural to compare ourselves to our peers. It can be a way of charting our own progress. Being an artist is a strange thing. It is possible that you will never receive any kind of recognition or payment for your very best work, and if you do receive recognition or payment that can come many years later. I have so many examples of that. It can also be the case, as an artist, that the best thing you ever do is refuse work which to you is unethical. A lot is expected of artists – we are expected to distract and entertain and take moral stands and sometimes all three. At the same time we aren’t funded very well because our careers are often seen as an indulgence, sometimes even by those who commission our work.

As you know, making a living as an artist can be tough, and unending rejection is part of it. So is public humiliation. I have almost lost count of the unsuccessful attempts that I have made at creative projects. Many people might read my work and think, what is he complaining about, he gets published widely, but I can say honestly that the work of which I am most proud has never been published. If I had not published a book of my own poetry, it would have remained unpublished – no-one would touch it. (That wasn’t good for my ego, but at least it is out there.) I am not a literary genius – my God, I wish that I was. Most of the time, the answer to my work is No. 

But back to you, Mollie. I could tell you truthfully that I think your talent is extraordinary and there are many times that I screenshot your work and send it to my friends. “Probably the funniest account on Twitter”, I tell them. I would also know that that would be no consolation. What I will tell you now is the approach that has worked for me, and I hope that it is helpful.

There are several Post-It notes on the wall above my desk as I type this, and the most prominent one says: “We do the best we can in the time that is given to us”. Every day I remind myself why I first became a writer. I became a writer because, long before the days of peer pressure and who got a book, TV or film deal and who didn’t, there was this desire to express endless things about the world, what made it bad, what made it beautiful. I became a writer to express. And the more that I look around at society, at the planet, I see all the people who just never had a chance – not only the ones going through unimaginable hardship in countries far away, but also those in my own extended family, or those friends who passed away many years ago. And I think to myself, somehow I have carved myself out just enough room in this cruel world to find myself in front of my laptop and the opportunity to distract and entertain and take a moral stand, even if that is just on Twitter. And maybe I am not as good as my peers, in fact I can give you a very long list of all the reasons I am not as good as most of my peers, some of them down to their vastly superior work ethic and some of them down to their vastly superior talent, but what I can definitely tell you is that I am still here and I will keep going and I will never ever stop. Even if one day I end up writing part-time I will always find a way to create new work and I hope that you do too. Because a world where someone as gifted and compassionate as you is no longer making work is a much worse world for it.

“Two Bulletproof Black Men”

In your new country you have met two bulletproof black men, and you need to be like them to survive. The first man has skin which could clearly stop steel; in fact, any projectile would shatter against it in terror. His frame is the result of careful sculpture, of long and private devotion to workout plans. Like the second man, his ego is made of fearsomely resistant material, treating any racial insult with the contempt of a guard dog watching an approaching burglar.

The second man looks utterly different to the first. He is far older and far more elusive, his clothes all drifting silks and soft cottons, he is as elegant and unreachable as a pool of moonlight. If a group of racists tried to attack him in the street, you could imagine their fists passing right through.

One of these men has designed himself to absorb force, the other has designed himself to evaporate, and you have done neither. You have taken what is probably a greater risk; which is that instead of working on either your fists or your flight mechanisms, you have tried to be understood. You have gone about your days armed with no weapon other than empathy.

This is a weapon that you have quickly found insufficient. Recently, in another large city, a man with mental health issues threw a woman and her boy at random in front of a train, killing the boy. The man was of African descent, and social media was aflame with anger not merely at the man, but what he represented; the utter inhumanity of the dark-skinned African male, who now roams German streets in horrifying numbers, multiplying, occupying. Outbreeding.

You watch the videos of the black men attending the death site of that poor boy, and you wonder at how a crime they mourn has been turned against them. You see one black man talking about how this murder is devastating to him not only as a human being but also as a father, and then he speaks of the pain of what he then saw on social media, of the days of hate directed at people with skin the colour of his, as if they were all automatically capable of such a killing. You then see an elderly black man, who closes the programme, saying that he is feeling less safe here than before; and you wonder, despite his advanced age and your own naivety, whether it is too late for you both to become bulletproof.

You Are Not An Honorary Black Guy.

Dear – ,

You are not an honorary black guy. You are a very specific type of white man, and upon reading a few sentences of this open letter you will recognise yourself within it. You are probably affluent, and have a small selection of black friends, who are themselves protected by affluence or even wealth from some of the harshest daily consequences of racism. You may even work in the entertainment industry, where your wider circle of acquaintances includes many black people. After many years of your friendship and acquaintance with these black people – most likely black men – you and your partner will occasionally joke with each other at parties that you are an honorary black guy. You go on holiday with black guys, you dance with black guys, you dance like black guys -whatever that means. You exchange black hand signs with your black guy friends, and you will probably join in their jokes about angry black women. It may never occur to you that in some sense they may hate being different as much as you think you crave it. Or maybe that’s the painfully unspoken and humourless joke: that they need you for access to those rarefied white spaces and you need them for access to those rarefied black ones. You are each other’s visa. You brandish them to your friends, and in turn they brandish you to strangers.

You are not an honorary black guy. What has happened over the course of the years is that you have begun to wear blackness like drag. But you will throw that blackness off the second you are confronted with an awkward conversation about racism with, say, your lovely, doting aunt, that one who helped you pay off your student loan but can’t resist slipping into diatribes about those foreigners ruining the country. She loves your friends, of course. It’s just the other ones she can’t stand. You never contest her views – you nod sheepishly and agree, even though in your heart you don’t.

Or maybe in your heart you do agree. Maybe you do think that if black people all simply pulled themselves together like the ones you know and presumably love, then they would all be fine. If this is how you think, then you don’t like black people. You may think you do, but you really don’t. No. You only like black people who have become affluent enough to prove that the enduring effects of racism do not exist. You only like black people who make it easy for you.

If you are still reading this, don’t stop reading now. Because it was not written for all white people, or even for all white men. It was written for you; for a very specific type of white man, the type who thinks he can have his racial cake and eat it. And you need to read this conclusion, which you will hopefully find devastating, but which in your cynicism you will probably dismiss: that there is no such thing as an honorary black guy. There are only those white men who appreciate black people as fellow and equally complex human beings, and those who do not. You, regrettably, are the latter. And, at some level, you don’t regret it at all.

The FIGC’s refusal to protect Moise Kean is the ultimate monkey chant

Several weeks ago, a black footballer playing in Italy’s top division was racially abused during a game of football, with monkey chants directed his way throughout the entire game. Following widespread anger, the Italian football authorities promised to look into the matter. They have just announced that they will not be taking action against the club whose supporters gave that abuse, stating that the chants were of “objectively limited relevance” – whatever that means. The Italian football authorities, the FIGC, have therefore decided, in effect, that the conduct of these fans is absolutely fine. After all, a lack of punishment equals encouragement to do more of the same.

I feel very sorry for Moise Kean, the young Juventus forward who received this abuse. I feel very angry at the football club of Cagliari, for creating an atmosphere where so many of its fans felt comfortable expressing their prejudices. I feel angriest of all, though, at the FIGC, because I suspect I know what they are doing with this decision: they are attempting to exhaust everyone who is opposed to racism. I suspect they are doing this because of the language they used: it is designed to infuriate. It is a form of “gaslighting”, where the person making a rightful accusation or sharing a just grievance faces such flagrant denial that they are made to doubt their own sanity.

Look at the language: that to call a black person a monkey is of “objectively limited relevance” to the issue of racism. It is actually difficult to think of something more racist than calling a black person a monkey – just last week, a leading British radio presenter was sacked by the BBC for his careless implication that he was doing so. Yet the FIGC are telling us that this doesn’t fall within their definition of racism. If this doesn’t, then what does?

“Objectively limited relevance”. What a revealing statement. It is the kind of statement you make when you feel so powerful that you face no repercussions for it. It is the kind of statement you make when you quietly agree with what those fans were chanting, because there is simply no way that anyone who cares about or is close friends with black people could allow a human being to be subjected to such humiliation without consequences.

Away from the football stadiums, humiliation kills. Cagliari is the capital of Sardinia, an island which in recent years has seen the arrival of many people fleeing conflict in Africa; many of whom have skin just as dark as Moise Kean. Many of those making their way to Cagliari drowned in the process, and one major reason they were allowed to drown is because a group of policymakers got together and effectively decided that those monkeys deserved it; that it was not worth spending their budget on boats to patrol the Mediterranean and rescue those desperately crossing the water. Somewhere a group of policymakers, in their own way just as callous as the FIGC, sat in a room and decided that black people were objectively less keen on being treated as fully human.

The FIGC are clearly expecting this issue to go away, since they are aware that we are living in the Age of Shamelessness – where the more outrageous your act of bigotry, the more likely you are to get away with it. And let us make no mistake – their decision is an act of bigotry. Like the policies that allow African refugees to drown, the FIGC’s refusal to protect Moise Kean is the ultimate monkey chant. But the FIGC are counting on one thing, and in this they may have been complacent; they have calculated that not enough Italians care about racism for this issue to remain controversial. Yet in March this year, a vast crowd took to the streets to protest against racism, with an estimated 200,000 people gathering in Milan. The resistance is not only there in Italy, it is proactive and it is organised.

Just a few days ago, I was playing football in Italy, at sadly a far less distinguished level than Moise Kean – though, thankfully, with a far better reception than he got from the fans at Cagliari. I was there as a guest of the towns of Tito and Matera, which during my stay shared the title of European Capital of Culture; I was taking part in a tournament of writers from Italy, Germany, Sweden and England, where England finished a creditable third. The most important action, though, took place away from the field. One night in Tito, the locals put on an event to welcome us; a gathering of young and old, black and white, children running this way and that, while a strikingly confident singer belted out a seemingly endless stream of karaoke hits. Right there, in the middle of small-town Italy, if anyone had tried anything like a monkey chant they would have been shown the door.

Seeing the fallout of the Kean affair, I think I needed to be reminded that there are many, many people like those open-hearted and open-minded residents of Tito; I needed to be reminded that, at times like these, many of them will speak up. It is only if they do, whether that be at dinner tables, in the stands or in boardrooms across Italy, that racist attitudes will become obsolete; that they will become, in the words of the FIGC, of objectively limited relevance to the future.

“I’m done being quiet.”

Below is a guest blog-post from Faye Treacy, a comedian, writer, presenter and good friend of mine, about misogyny and sexual harassment in the music world where she first made her name. (Her work is superb by the way: you can find her on Twitter at @fayetreacy and on her website.)


So on Friday night I received a rather vile video on fb from a trumpet player I don’t really know or work with. He was aggressively exposing himself to me and his reasoning was ‘I’m drunk.’

Now this isn’t the first time I have received unsolicited photos/videos/messages. I could have guessed his age at being middle aged by the fact that he stupidly used the platform of Facebook messenger instead of snap chat so I’m sorry ‘mate’ but that video is now on the internet forever. You were drunk yes but you were also making a power move, like when other colleagues have shown me porn for fun on their phones over dinner or in WhatsApp groups. I also am aware this is a grey area and comes down to context. Sarah Silverman just thought Louie was being an idiot when he ‘asked’ (important word there) to wank in front of her, the open spots at their gigs obviously found this headliner way more threatening. A dickhead mate of mine sending me bad porn when we were younger for example, I don’t suddenly want him to lose all his teaching work if I chose to report him now but we need to look at it. We all do dumb shit. I grew up Catholic and used to call all bad things ‘gay’ even before I realised I liked girls as well as boys, which was a hard realisation and then insight into why I hated myself so much when I was younger 🤦‍♀️

I’ve been doing music most of my life. It’s opened many doors and satisfied my creativity, opened a world of better education my parents wouldn’t have been able to afford without the bursary’s and as a geeky kid in band I thought I’d found my tribe.. but as I got older, when puberty hit I noticed a trend… with geeky men, there come’s a lot of pent up resentment towards women.

Having a metre-long dick drawn on your locker at music college after your first stint of TV work, notes left in your case calling you a ‘slag.’ This wasn’t from children, this was from well educated middle class early twenty year olds. When are we going to stop making excuses for such behaviour?

I had a chat a few years ago with my favourite academic professor at the Royal Academy of Music and I giggled that I’ve probably grown a way thicker skin now.. he cut me off, he wasn’t laughing along and he said ‘no, since you’ve left we’ve got better at having girls in the brass department.’ I really hope that’s true as I can no longer giggle. It’s a disservice to my feelings and quite frankly my intelligence.

There has been a few sneers against the Royal Northern College of music for setting up a better pastoral care system, but honestly when I was at my lowest and I mean low, I could have really done with some support not just being told ‘oh he’s Scottish’ or ‘you can’t stop a pig grunting.’ I was aware by going to study I was putting myself in crippling debt for life and I was wondering how much then I was willing to put up with till I broke.

I then went onto study in America where I got fed up of the professor there massaging young female accompanists shoulders in his ‘weekly’ yes weekly masterclasses. I got tired so I returned to London and I went in search of other art forms to express myself cos I actually found the music world I’d experienced up till then quite toxic and it had left me with quite crippling stage fright.

And it worked, I’ve now continued to play with great bands and musicians and I’m proud to say have an up and coming comedy career. What ever people can call me from my college days, doesn’t hurt me anymore. Call me a slag, say I only get my gigs cos I’m a girl all you like but at least as far as I’m aware no one ever said I wasn’t nice…And I am nice but I just can’t be fucked any longer to be agreeable.

So Friday night after a 17hr teaching week, 7 gigs and 2 radio shows recorded I get into bed feeling proud with myself for once (and I’m so hard on myself) having had some lovely gigs at Top Secret comedy club I’m subjected to a video that was just disgusting.

Earlier this week I had a tweet asking how do we get more girls playing brass. I don’t think it’s a gender issue with who wants to learn a brass instrument, all little boys and girls love making fart noises, as the hilarious comedian Iliza Shlesinger recently put it in an interview little girls and boys find poop and farting hilarious as it’s funny BUT girls we’re just trained out of it, it’s for the boys to make jokes about.

I think we have a cultural problem that leads to many female brass students not sticking at it. I also think we have a massive class issue. When you can’t afford a car or a hotel when you’re building up your freelance work, as a woman you have to put so much trust in men. Some of us don’t have the older sibling looking out for us, some us didn’t come from Cheethams school of music/ NYO etc etc when you’ve got your old boy/girl club. (Although I am aware there has been some terrible stories to come out of some of those music schools.)

You have to share lifts with strangers, rooms and trust that you don’t wake up with some pervy function leader’s hand in your knickers. You have to make sure you don’t get drunk and put yourself in vulnerable situations, (why did you agree to share a room in the first place?!) walking home late alone cos you don’t want to spend half of your gig fee on a cab because you know already your rent’s going to be a week late.

I’m tired of being subjected to this.

Yes I’m a comedian, I take the piss out of myself and my failings on stage, I’m sex positive, I speak freely and I’m not easily offended but I’m tired. The world is moving forward but why does it appear the music world is still dragging its feet?

I’ve asked some male colleagues if they know this dude and their response has been, ‘he’s normally so sweet,’ or ‘have you slept with him before?’ Ffs!!!! Some of my female older brass mates have been like ‘oh ignore it,’ cos I’m sure they’ve seen it all before. You become desensitised when your a gigging musician to this type of crap. Some people have told me to share the video, however, I don’t want to subject it to people who really don’t want to see it. Some people have been like don’t share it, ‘HE might be having a bad time in life.’

Now, I’ve put shout outs before begging my male colleagues to communicate more, speak about their feelings. I think it’s devastating that suicide is the biggest killer of young men. But did you know the group that commits suicide the most isn’t actually young men it’s actually lesbians… yes women. My sister works with sex workers in Norway and shared that shocking stat with me. Another fact about women that isn’t shouted about.

So to my lovely men in the world of music if one of your mates is being a dick, have a word! Through hard work I’ve created a platform for myself where I will continue to speak up. The next hundred years isn’t going to be just written by men in the history books.

I’m done being quiet.

“Leaving Home (Citizen of Everywhere)”, my speech at the #BrexitWake at the Literaturhaus in Berlin, 29.03.2019.

I read the following speech at the #BrexitWake in Berlin, the night that the UK had long been scheduled to leave the EU.


The strange thing about the UK leaving the EU is that a few years ago I left the UK, a place I called home, but now it feels like that old home is leaving me too.

Make no mistake, Germany is where I live now – not Berlin, but Germany; in its own way, I love Hamburg just as much as this city, with honourable mentions for Bremen and Dusseldorf. But when it comes to the heart, Britain is hard to quit. The UK is an ex-partner on whom I check up from time to time. We have long since parted ways, but I still care about them. Recently, though, I have seen them fall in with a bad crowd, and I am not sure that I recognise them anymore.

When the UK’s Prime Minister referred to people like me as “citizens of nowhere”, she meant to represent me as an outsider, as someone who roamed the vast global nowhere in search of their identity. The irony is that she is helping to make her own people citizens of nowhere. She has done her very best to ensure that they will be scornful outsiders, peering in from the edges of the world. Britain will still welcome investment from all over the planet, but its hospitality towards actual people has been questioned like never before. Though my Prime Minister has not been alone in her efforts, it is rare that a major politician has made politics feel so personal.

Part of me, a very small, quietly spiteful part, feels that perhaps Britain deserves to be an outsider. During its centuries as an insider, it did many things that shaped the world for the worse, and so maybe it will be less dangerous on the fringe. But there is is another far larger part of me, which remembers a more modern Britain which was better than that. That is the Britain I thought I knew, the Britain of my favourite teachers Janet Fallows and Andrew Robinson and Mark Freedland, who encouraged me to think critically and kindly at all times. That is the Britain of innovation in science and medicine and music, the Britain of compassionate legislation and the fierce defender of human rights, the Britain of my friends Justin in Norfolk and Tessa in Brussels and Jonny in Haiti. Recently, these better Britains have felt like a distant dream.

I have no gently poetic words to describe how I feel about the UK leaving the EU. Yes, the EU has its flaws. Look at the hard borders against Africa, the treatment of Greece. Yet it is still an institution that has protected us from the worst of what could have been, and could yet protect us from the worst of what is to come. If we judge the EU by those who would happily see it destroyed, then the UK’s decision to leave looks all the more worrying still. But we all know all this, that is largely why we are here.

I am very angry tonight. This is a time in history where we have never needed greater unity of purpose, and we are in an era where division grows by the day. And I do not mean political division between left and right. I mean division between people who want to have a plan about the planet we still seek to inhabit a generation from now, and people who don’t. I am disgusted by how climate change has become just another issue in the culture war. I am appalled by how ignorance has become a badge of honour. If recent years have reminded us of anything, it is that  “No” is not only an emotion, it is a political position. But “No” is very rarely a helpful solution.

In the UK we are faced, as is the rest of the world, with the prospect of catastrophic climate change within the course of our lifetime. We are fortunate because we are in a position to sit at a table and help to drive forward policies for progress. Yet we are walking away from that table, and in the process leaving our nation in disarray. Because this is not a dignified retreat from Europe – a bold stand taken by the brave British underdog. This is a daylight heist, which I believe will thrust my country’s politicians towards the arms of the rising far-right.

My country. Maybe I need to stop saying that. Maybe I need to stop reading so much UK news, and instead concentrate on what is happening here, in my slowly-improving German. I am no longer living in the UK, I am no longer paid in anything other than euros and dollars. Despite the very many challenges I have faced since arriving in Germany almost five years ago, I have found so much here that is truly special. It is not only my taxes that are here: my closest friends are here, Josh is here, Jennifer is here, Krisz is here. I hope that my future love is here. I have much that I adore in the UK, not least my beloved Manchester United, but recently I even have a new football team to support, the women’s team of Wolfsburg. (This week, we lost the Champions League quarter-final to Lyon – but we nearly beat them, and I can promise you we will be back. Next year, Lyon, we are coming for you. Next year.)

The British Prime Minister – not my Prime Minister, not anymore – was wrong about me. When she says I am a citizen of nowhere, I can reply, no, I am a citizen of everywhere. I belong everywhere all at once. I may not fit into many people’s traditional vision of someone from their hometown. Yet whether I do, or do not, I do not care. I am here to live, to love, to contribute to something much bigger and hopefully much, much better than myself. And, for as long as I am here in Germany, I always will.

This is why you shout racist abuse at black footballers.

You go to football matches and shout racist abuse at black footballers because you have paid your money and so for the next ninety minutes you own every footballer in that stadium,  especially the black ones. You own their strengths and their flaws and everything you know or suspect about their personal lives. For that time, your mouth becomes a firehose of hate. You look at this black man and you think: this is my victim, my ground, my England.

Why is this your England? Because just enough people tell you that this is so. There are plenty of people around you in the crowd who will listen to you roar abuse and who’ll still share a drink and a joke with you at half-time and after the match. In relation to racism, they’ll fall into a few different groups. A few will be just as vocal as you. Others will wish they had the courage to shout as loudly as you do but they won’t, not yet. Others still will have black friends at home but will act as if it’s not their problem – they won’t even report you to the stewards. They will know they are cowards and a few of them will later tell their black friends how awful it was, looking anxiously in their friends’ eyes for some form of forgiveness for their inaction, as if black people are suddenly the fairy godmothers of football.

You think this is your England because you read the most popular newspapers in the country and they agree with you – they agree with you that black footballers, like children, must be seen and not heard, that the second they decide to do anything more than score spectacular goals they become a threat. Those newspapers remind you daily that there is no aspect of criminality to which a black footballer cannot be connected.

You think this is your England because – well, why wouldn’t you? You have a political system whose immigration laws have long discriminated against the exact same social group from whom these black footballers claim heritage. You listen to your radio and one of its prime-time presenters has a history of racism stretching back decades. You watch your television and one of its most high-profile producers once edited the most popular newspaper in the country at a time when it was referring to African men women and children as cockroaches at the very moment that they were drowning in the Mediterranean. You log onto Twitter and you see one of the most-followed presenters rolling his eyes as if you are just some lone wolf of racism and have not been emboldened by the years of hard-boiled bigotry that his media outlet and others have been diligently pumping out.

But you are at this game screaming because, at some level, you are worried that this is not your England, and this stadium is the safest place you can take revenge on black footballers for making you feel this way. These black men are crawling all over your football teams and your TV screens and your culture. If you stop for a moment you will worry about how many people seem to love this England, even with all these black men in its national team – and maybe, to your dismay, that’s even why they love this team more.

The black footballer is within earshot so you call him a black cunt in the hope that your words will land with the force of a whip. You hope the black player will respond there and then, in your mind making a champion out of you, but he does so later, online and at length. Somewhere, in a newsroom or a living room, there are countless others with the same bile in them as you, slightly more confident today than they were yesterday.

You still think this is your England because there are not enough people in your immediate circle, even if they disagree with you, who have the courage to tell you differently. Your England is small, bitter, brutal and fearful, and it always has been. Your England thinks it has black friends but would never allow them to date your sons and daughters. Your England desperately needs one corner of a stadium, one section of an angry crowd, its safe space. You ruled the world and now you can’t even rule a touchline. You can never stop shouting because if you hold your tongue for long enough the appalled silence in the crowd around you will forever remind you of what you have lost.

“Keep Kicking”, a post about Pittsburgh.

You began writing today before 6am – it was the only way you felt you could react to what was happening. You couldn’t sleep, your guts were on fire with the news from Pittsburgh, the attack on the synagogue that left eleven people dead. This thing that is tearing at you is not new. It has been there since the day Trump was elected, an event swiftly following which your sleep promptly dropped from six hours a night down to four. For the first few months that you lost a third of your sleep you denied why it was happening, but then you accepted it – that your body was telling you to be ready. You have rested enough, it was telling you, and given what is coming you have so much work to do.

In the early months after the election of Trump you didn’t know best to do, nobody did – maybe not even Trump himself, delirious with the unexpected thrill of his dangerous new pulpit. All you knew was that you were reminded of that scene from Titanic, the awful pause after the ship, having struck the iceberg, had cracked in half and was perfectly poised above the ocean, prepared to plummet. You had to write, even if the quality of the words that emerged was terrible. You had to write, just as you are writing now. You do this because the very act of motion is resistance, that if you stop kicking you drown.

You bumped into two friends earlier this afternoon. You thanked one of them for his furious Facebook posts about Trump’s latest outrages, and he confessed that he felt they were futile. They weren’t, you told him. Everything matters. Your fury matters. Once you are numb to it, that’s the end. We need to keep feeling. It is not inevitable that the very worst is ahead.

You had a beautiful day, even though it is hard to remember that. You visited one dear friend to celebrate her wedding to a wonderful man, and then saw another on her brief return to the city. Both of them are flourishing, doing better than they have ever done. Yet when you woke this morning, you didn’t think of either of them, but of Pittsburgh, and of the hurricane of hatred that Trump continues to unleash.

Your sleep patterns have improved these days, because you have become better at ignoring Trump, of not allowing him to ruin your day, even though the horror of what he is doing often settles across the skies like nuclear winter. But Pittsburgh has happened and the lack of sleep is back. You remember people writing that talk of white supremacy was exaggerated, that the Democrats were crying wolf over the terrors to follow his election, you even remember one friend airily remarking that the Trump presidency, restrained by America’s formidable institutions, would be a quiet one. You remember reminding people, as had countless others, that the toxic levels of anti-Semitism being pumped into the atmosphere would one day thaw some long-frozen and rage-filled plains, allowing ancient viruses to arise from them anew. You and those countless others gain little comfort from having roared these warnings, because this was never a game, never a sixth-form debate where the winner takes home a silver trophy and is treated to a three-course dinner. Like climate change itself, the crisis of extremism, long denied, has always been existential.

Yet there is some comfort – not much, but some. There is comfort because you know that hatred of this nature is predictable, and that the success of this hatred is not guaranteed. You watched from New York with pride as, in your adopted city of Berlin, a quarter of a million people took to the streets to protest not only against the rise of the far Right but crucially in favour of progress and hope. You commiserated with friends from Brazil as they looked ahead in fear to the possible election of Bolsonaro, a man offering ominously simple solutions to complex social problems, but at the same time you marvelled at what fine people they were, and you gained even greater resolve to make the world better for them however you could. We have to celebrate the wins, you tell your friends whenever you bump into them in the street, and we have to celebrate the small things. Everything matters! Everything matters – the briefest act of kindness, the gentle eye contact with the homeless stranger, the channelling of pain into hopeful art, the warmth in the hug when you welcome or say farewell to anyone beloved. Everything matters, even the stream of consciousness I am typing now. Maybe the paths forward aren’t clear, maybe we are still forming a vision of the future where as many people as possible can enjoy health and happiness, and maybe dry land often seems nowhere in sight. But, in the meantime, we need to keep kicking.

My new post, on Redfish and Russia Today.

I feel sick, but most of all I feel naive.
Last week I spent a wonderful couple of hours in the company of a film crew, who interviewed me at length for a documentary they were making about xenophobia and austerity in the UK. A few days later, I was thankfully informed by Oz Katerji, an investigative journalist, that this company – Redfish, based in Berlin – was a wholly-owned subsidiary of Russia Today.
Charlie Davis of The Daily Beast had discovered this after some exhaustive reporting, and Katerji sent me a link from the article where Davis had published his findings
I didn’t quite retch when I found out, but my stomach certainly lurched. Yes, the referral came through a dear friend, but it is ultimately my own fault. I should have done my own due diligence – and a simple Google search would have revealed the above article.
Here’s the thing about the programme to which I contributed: I think that the topic is a vital one, and I think that the presenter did an excellent job of examining the issues in our conversation. I just don’t believe that Russia Today, given their stance on refugees, are honest brokers. In fact, I think that they are the opposite. Just the other day, they ran an opinion piece asking the Canadian government not to resettle Syrian refugees, on the grounds that they were either “potential terrorists or supporters of terrorists”. The article is here.
Yes, I know that Russia Today serve up entertaining segments about sport and other entertainment. But I object so strongly to their general political mission that, had I known of their involvement in this documentary, I would have declined the opportunity to appear.
I am very careful with the media appearances that I make, for three main reasons. First, I think it is very important not to become a talking-head, and become the “go-to guy” when it comes to talking about, say, racism in public life. I think that type of status as the “community leader” is very unhelpful. It implies one person speaks for a diverse group of people, which is dangerous. Secondly – though this might be hard for some to imagine! – I would quickly get sick of the sound of my own voice. But thirdly – and most importantly – I do not want to lend legitimacy to certain platforms. Though those organisations to whom I give interviews certainly have their flaws, the crucial difference is that they are not wholly owned by authoritarian states who jail and murder activists and journalists. (If you are not familiar with the following names – Natalya Estemirova, Anna Politkovskaya, Sergei Magnitsky – please Google them.) I do not know that I have always got the balance of my media appearances right in the past, but it is something I have come to care about deeply. The thought of my views being aired on Russia Today is deeply upsetting on a personal level and deeply worrying on a professional one.
Some people would say that I am an idealistic fool for turning down some of the media platforms that I have. Those platforms, after all, often mean more visibility and with it the possibility of vastly better earnings – speaking gigs, consultancy fees, and so on. There are some days – when I can’t send a relative a few thousand pounds to help with that operation or those couple of months of rent – that I agree with those people. I have turned down huge amounts of both exposure and money from people I have suspected to be unscrupulous. Why have I done this? Because, so far as I am conscious and not consumed by desperation, I don’t want to contribute to a worse world, and I think that we are being ushered into such a world by Russia Today.
Why am I telling you this? To learn from my example, really: to remind myself, and to remind you, that we have a choice. We don’t always have to say yes when someone puts a microphone under our nose. I don’t judge those of you who do – God knows that writing can be a precarious and thankless life, and if you have people who depend on you financially then it can be hard to reject that camera or that paycheque. Wherever possible, though, we should try to step away. Let’s do our homework, and find out for whose regimes or fiefdoms we may be the unwitting mouthpiece. Let’s at least know who we are working for, and make our judgements accordingly. Because if we are to be held accountable for ignorance and bigotry – as we should be! – then, at the very least, that ignorance and bigotry should knowingly be our own.

Black Panther: an emotional response.

So (no spoilers!) I watched Black Panther last night. My God. I’m not going to write a review, because I’m relatively late to see the film and a thousand majestic dissections have already appeared online. Instead I will only write a hopefully brief emotional response, since that’s the only thing I can add that might be somewhat fresh.

My favourite football player, in visceral terms, is probably George Weah. Not because he was the finest of all time – even though he had qualities which put him firmly among the greats. But because what Weah achieved on the field, where he was the most elegant blend of grace, power, speed and balance, was merely a fraction of what he achieved beyond it. Weah, a proud citizen of Liberia (a country with its own extraordinary place in world history) was one of the first male African footballers to stand at the very front of the world stage, and he was utterly apologetic when he did so. Weah was a man many of us could recognise; tall, dark-skinned, we could have seen him at the barber shop, he could have been an uncle. And yet there he was, gliding across our screens. He looked like us, spoke like us, and so we started to swagger like him.

Watching Black Panther felt like seeing George Weah at his peak. Visually magnificent, thrillingly unpredictable, with duel after beautiful duel against elite opposition. The land of Wakanda itself? A glorious vista of the old and the new. And the women were just as I knew them. In them, I saw my relatives: unfathomably strong and supportive, amazingly courageous at every turn, humbly and patiently building a better world each day. How they persevere through all the exhaustion, I will never know.

Will there be critiques of this film? Absolutely. I look forward to reading them, and after some time I may attempt one of my own. For now, though, I am especially thankful I saw this film in Black History Month, because it feels like a milestone of its own. After the movie, I sat with a friend of a friend who had come to the movie with us; an African-American woman, born in the early Sixties, who well remembered the assassination of Dr. Martin Luther King (and, with a further poignant nod to Black history, was closely one of the world’s greatest basketball players). She was overwhelmed at the representation of African-Americans on screen, particularly the women, and rightly so. All I could think was: this movie was excitingly broad in its appeal, and yet was also uniquely for her. Black Panther felt both intensely personal and at the same time universal in its appeal, which in my view is one of the pathways to great art.

As for me, it reminded me what a privilege it is to be an artist, and to wake up daily with the chance to create something, anything, which might give hope to anyone. This film not only reminded me but wholly convinced me of the importance of optimistic, forward-thinking art. For that alone, it is a masterpiece.